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**Live show control room gear CTT's 1,2,3 are switched from the panel down the stairs in the control room, whilst CCT4 is switched from a box to the left of the studio's entrance.

The input controls are on the left side of the board and consist of several layers of channel Above the output fader bank is the screen, where all the internal control of the desk can be operated. The routing and the visual display of the EQ c

The input controls are on the left side of the board and consist of several layers of channel Above the output fader bank is the screen, where all the internal control of the desk can be operated. The routing and the visual display of the EQ c

LN/003 will be our Control Room. There is a door linking to LN028 which we will use for cable runs. Be care Here is a rough diagram of the Control Room layout for the night.

** Howard (remote control camera) ** Edit 2 (to feed logo to Max). Will probably use this for Howard control as well.

...cat5 line running via the truss to the lighting desk in the studio for DMX control. ...ed as 4 pole, 2 poles were used for left, 2 poles for right of the control room and Studio speakers, to save rack space.

...bilical contains all the cables to connect a camera through to the control room for a live show. These are run in parallel inside a flexible plastic sheath ...) at the other end, which then links to the tally line back to the control room

#“The Station” refers to the rooms occupied by YSTV that are used for the production of television programmes #“Facilities” refers to all of the rooms and equipment owned or occupied by YSTV.

...he studio into cameras 1-4 on the ATEM Television Studio 4K in the control room. ...5 is patched to one of the ATEM's non-program outputs, for use with camera control and tally (there's a SDI splitter on the studio side that runs it into the

Due to issues with booking rooms, access to various rooms was restricted until the afternoon. Despite this, rigging went reasonably ...in stage cable run, a long length of rope was stretched out of the control room to the bridge at the bottom of the covered area and back again. The ends of

...running the network ''safely'', streaming, graphics, online recording, VT control and playout servers ''not waitress service''. ...things person. He will be running ''safely'' around the studio and control rooms, getting other things to work: this includes the interactive table.

...e show and heat being generated by people and servers alike in the control room; resulting in not only in frequent frame duplication, but sometimes triplic ...] took on this ambitious task, with the help of whoever was in the control room at the time. At some point the process was dubbed 'VidFUCK', so-named after

VT PC (control room) (all 16:9 please!) ...ly goes into a video over cat5e box. Also needs power over 4-pin XLR, and control over cat5 to go all the way to the roof. Preferably check Howard works bef

...trol room wall, lit by a single large old Fresnel from the grid across the room, and four PAR cans - one gelled yellow angled from the grid down the middle ...hot studio, a substantial audience turned up and stood at the back of the room, enjoying the show and providing applause. The show was directed by [[hist:

Contact Porters as soon as we have room access - need Dual XLR to Ents, Dual BNC to projector rigs. ...running the network ''safely'', streaming, graphics, online recording, VT control and playout servers ''not waitress service''.