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**Live show control room gear CTT's 1,2,3 are switched from the panel down the stairs in the control room, whilst CCT4 is switched from a box to the left of the studio's entrance.

The input controls are on the left side of the board and consist of several layers of channel Above the output fader bank is the screen, where all the internal control of the desk can be operated. The routing and the visual display of the EQ c

The input controls are on the left side of the board and consist of several layers of channel Above the output fader bank is the screen, where all the internal control of the desk can be operated. The routing and the visual display of the EQ c

...cat5 line running via the truss to the lighting desk in the studio for DMX control. ...ed as 4 pole, 2 poles were used for left, 2 poles for right of the control room and Studio speakers, to save rack space.

...bilical contains all the cables to connect a camera through to the control room for a live show. These are run in parallel inside a flexible plastic sheath ...) at the other end, which then links to the tally line back to the control room

#“The Station” refers to the rooms occupied by YSTV that are used for the production of television programmes #“Facilities” refers to all of the rooms and equipment owned or occupied by YSTV.

...he studio into cameras 1-4 on the ATEM Television Studio 4K in the control room. ...5 is patched to one of the ATEM's non-program outputs, for use with camera control and tally (there's a SDI splitter on the studio side that runs it into the

...e show and heat being generated by people and servers alike in the control room; resulting in not only in frequent frame duplication, but sometimes triplic ...] took on this ambitious task, with the help of whoever was in the control room at the time. At some point the process was dubbed 'VidFUCK', so-named after

...book out all your equipment and/or the use of the [[Studio]] or [[Control Room]], the booking will be approved by tech or the studio manager. If your requ ...e ''Charged'' box by the [[Computing:Station PCs|edit PCs]] in the Control Room or on the table by the studio door. Place on the chargers when you're finis

== Control room positions == == Studio room positions ==

Big blue thing in the corner of the [[Control Room]]. Really, you can't miss it. It's where all the audio (A) and video (V) ge

Despite their faults, they are one of YSTV's main control room monitors. Five remain in service, with the sixth having been dropped a few

The monitor rack is fed power from circuits 1 and 2 in the control room. Circuit 1 powers the left side, while 2 does the right.

...tartup. It takes feeds from cameras in the studio ([[Howard]]) and control room (beige Sony CCD camera) into a black-and-white capture card, and renders it

...OBS since it leaves the [[X32 Compact|Compact]] permanently in the control room which means less rebuild after an OB.

...attached, and can be used to log on to the [[Computing:Station PCs#Control Room PCs|Windows PCs]] and [[w:Secure Shell|SSH]] into the Linux servers. The te

...ng panels]] if the vision stream is passing through the studio and control room.

...ck can be used to make it easier to control [[OnTime]], although it can be controlled using just a keyboard and mouse just fine. The Streamdeck can be connect Currently, the iMac on the control room monitor wall and Mac Mini rigged in the lighting rig display the timer view

...d (like on the [[Technical:Lighting Desk|Lighting Desk]]), 512 channels of control are transmitted down 3 wires: Data+, Data-, Gnd, with ground usually being YSTV runs 2 lines (one each way)down a single Cat5e cable, from the control room's Master patch panel, to the LX patch panel in the studio. Currently unused

...d gets VERY hot. May be responsible for a small burn mark on the [[Control Room]] carpet * Adjustment control at rear, and behind barndoors.

...ng the Greg Dyke donation. Since then, it had been residing in the control room racks as part of a permanent studio broadcast rig.

...d to a headset, which is then linked back to a director box in the control room; all over 3-pin XLR cable. It is a party line system, so everyone on a dire ...end, headphone connectors and a talk switch on the other end and a volume control down one side. Headphones and microphones use a standard 3.5mm jack, so PC

...right|alt=Tally control unit and blocks|The Tally system: four bricks, the control unit and splitter]] ...of the lines in the Cat-5 cable plugged into the rear can be driven by the control unit, and if that line is selected by the switch, the LEDs will illuminate.

*4-band equalisation (or EQ, frequency-specific volume control) on each channel (sweepable/semi-parametric mid bands on the mono channels) ...he helpfully named 'INSERT' sockets. The matrices outputs feed the control room amplifier, and any two of auxes 3-6 can be used to feed the studio amp if 3

*9 stereo inputs (4 on channels 9-16; 4 on inputs A-C with limited control; 1 on two track input ("2TK IN")) *"Control Room" stereo output - linked to PFL (pre-fade listen)

...ng with a client to provide a director with record/stream controls, matrix controls, a running order and potentially internal IRC in one handy window. ...t holiday being long gone, the plan was to repaint both studio and control room, re-carpet both and generally make the place look nicer. Sort of a tech pro

...generally wheeled out for OBs, and often features in the Woodstock control room as the programme output. === Control Protocol ===

...including signatories and memberships; ## Arranging meetings and booking rooms or venues; ##To ensure the upkeep of any rooms occupied by YSTV and ensure accessibility for all members, and to maintai

...ystem was built before the move to [[hist:G/046|G/046]]). Additionally the controller had a rather noisy switch to advance the display, making it difficult to ...talled during 2013, with the mostly built frame sat on a table in the tech room. It was eventually completed in May 2014. Due to an abundance of tripods, a