OB rigging: Difference between revisions
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Studio shows are centred around a set (normally some standard procedure sofas) with cameras in-front and lighting above and in-front. For the sake of this guide, we'll just use a simple generic setup. | Studio shows are centred around a set (normally some standard procedure sofas) with cameras in-front and lighting above and in-front. For the sake of this guide, we'll just use a simple generic setup. | ||
==Equipment== | |||
* A set | * A set | ||
* We normally just use the sofas we have and a bit of a backdrop | |||
* Cameras | * Cameras | ||
* Normal studio cameras [[Panasonic AG-AC90|Panasonics]] and the specialist studio cameras [[Canon C100|C100s]]. | |||
* Lighting setup | * Lighting setup | ||
* See our lanterns and their uses guide [[Lanterns|on this page]] and the lighting guide [[Lighting Guide|right here]]. | |||
* Cabling | * Cabling | ||
* XLR, COAX, CAT5, 13A power. | |||
==Assembly== | |||
The main part of studio rigging | The main part of studio rigging is based around the set. Creating and finalising the set (whatever this may be, normally sofas) is the first stage. Once this is finished and the show is ready to go, the lighting and camera placement need to be figured out. | ||
These two teams (for the sake of everything, use teams) have to work together so that the lighting is as good as possible and the cameras get the coverage required without the two being in each others way. | |||
* Diagrams help so you don't end up stepping on each others toes. See [[Lanterns|lanterns on this page]] and the lighting guide [[Lighting Guide|right here]] for help | |||
===Sound=== | |||
Mic up (see [[Microphones|the microphone guide]]) and ensure these are also not obvious to the cameras (if at all possible) and they aren't casting shadows. The normal setup for these is; | |||
* Mic up presenters, or anyone that needs to move with the [[Microphones|shure wireless lavs]] | |||
* These sound the best of all the Lavs we have, but must be mounted correctly on the people. | |||
* Normally use handhelds for the guest/s | |||
* As they probably will have to be passed around as the guests change and this makes it easier, teach guests how to use them first for the love of sanity. | |||
* Backup rifle microphones from the rig pointed at groups of people likely taking together | |||
* Normally we don't need them but better to be safe than sorry. When placed from the rig these microphones have a large enough pickup pattern to grab a whole area of the set (1 sofa of guests for example) if their microphones fail, while not picking up the crew (who are likely faffing to fix the issue). | |||
When setting up sound remember to hide the cables either in or behind the set / sofas. This keeps everything neat and tidy and looks better than obvious cables trailing everywhere around the set. Also tape the cables down when they have to go across the floor in case the cast or crew trip and die. | |||
===Cameras=== | |||
Revision as of 13:50, 8 August 2019
This is a page about the various rigging setups that YSTV typically use for OBs. It even has diagrams! This page is mainly for those wondering how broadcasts work and are setup, if you're looking for more information then see some of the many pages on this wiki or ask a techie.
Okay, moving on. YSTV live stream broadcasts fall into 2 categories, OB and studio shows. Both are setup fairly similarly, but there are variations of each that apply in different situations.
Studio
Studio shows are centred around a set (normally some standard procedure sofas) with cameras in-front and lighting above and in-front. For the sake of this guide, we'll just use a simple generic setup.
Equipment
- A set
* We normally just use the sofas we have and a bit of a backdrop
- Cameras
* Normal studio cameras Panasonics and the specialist studio cameras C100s.
- Lighting setup
* See our lanterns and their uses guide on this page and the lighting guide right here.
- Cabling
* XLR, COAX, CAT5, 13A power.
Assembly
The main part of studio rigging is based around the set. Creating and finalising the set (whatever this may be, normally sofas) is the first stage. Once this is finished and the show is ready to go, the lighting and camera placement need to be figured out.
These two teams (for the sake of everything, use teams) have to work together so that the lighting is as good as possible and the cameras get the coverage required without the two being in each others way.
* Diagrams help so you don't end up stepping on each others toes. See lanterns on this page and the lighting guide right here for help
Sound
Mic up (see the microphone guide) and ensure these are also not obvious to the cameras (if at all possible) and they aren't casting shadows. The normal setup for these is;
- Mic up presenters, or anyone that needs to move with the shure wireless lavs
* These sound the best of all the Lavs we have, but must be mounted correctly on the people.
- Normally use handhelds for the guest/s
* As they probably will have to be passed around as the guests change and this makes it easier, teach guests how to use them first for the love of sanity.
- Backup rifle microphones from the rig pointed at groups of people likely taking together
* Normally we don't need them but better to be safe than sorry. When placed from the rig these microphones have a large enough pickup pattern to grab a whole area of the set (1 sofa of guests for example) if their microphones fail, while not picking up the crew (who are likely faffing to fix the issue).
When setting up sound remember to hide the cables either in or behind the set / sofas. This keeps everything neat and tidy and looks better than obvious cables trailing everywhere around the set. Also tape the cables down when they have to go across the floor in case the cast or crew trip and die.
