Behringer X32 Producer: Difference between revisions
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[[File:X32 producer. | [[File:X32 producer.jpg|400px|thumb|right|X32 producer]] | ||
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The x32 Producer was the first large digital sound board that we bought back in 2015 / 16. Designed to replace the [[Allen and Heath ZED 428|Allen and Heath]] which was really just too enormous to take to quick, low impact OBs like sports. Also, being digital it allows a great deal of automation and program-ability. It has since accompanied us to almost every OB in the last year 2018 / 2019. Also, being a Behringer it opens up access to the Behringer ultranet system, and communication between multiple x32 boards over AES50. | The x32 Producer was the first large digital sound board that we bought back in 2015 / 16. Designed to replace the [[Allen and Heath ZED 428|Allen and Heath]] which was really just too enormous to take to quick, low impact OBs like sports. Also, being digital it allows a great deal of automation and program-ability. It has since accompanied us to almost every OB in the last year 2018 / 2019. Also, being a Behringer it opens up access to the Behringer ultranet system, and communication between multiple x32 boards over AES50. | ||
Revision as of 12:57, 7 August 2019
The x32 Producer was the first large digital sound board that we bought back in 2015 / 16. Designed to replace the Allen and Heath which was really just too enormous to take to quick, low impact OBs like sports. Also, being digital it allows a great deal of automation and program-ability. It has since accompanied us to almost every OB in the last year 2018 / 2019. Also, being a Behringer it opens up access to the Behringer ultranet system, and communication between multiple x32 boards over AES50.
Basics
The input controls are on the left side of the board and consist of several layers of channels in groups of 8. The board (as it's name should suggest) has 32 channels of audio input, 16 of them are physical XLR inputs (on the back of the board) which are represented by 2 layers of the input side. note here our layer 1 (inputs 1-8) don't have phantom power after a botched repair at Behringer.
The remaining 16 channels can be assigned as stage boxes via AES50 or from another Behringer board. The other layers are for AUX channels and effects returns.
The outputs and mix busses are on the right side of the board, again arranged in the same layered way and with the master fader to their right. Above the inputs is the EQ section, where the input signals can be adjusted, gates and compressors can be put on and phantom power assigned. see the microphone information page for when and where to use phantom power.
Above the output fader bank is the screen, where all the internal control of the desk can be operated. The routing and the visual display of the EQ can also be seen on the screen. note the screen is also a bit damaged after the Behringer 'fix'. All of the buttons on the left side actually perform the actions of the right side and vice versa.
The studio outputs are a bit different to normal OB outputs since the output passes through 2 independent amps 1 for the control room and one for the studio. For a stream, we would normally use an LR XLR pair out into the ATEM through it's breakout cable.
FX
The X32 also has an internal effects generator, which we kind of don't use but probably should. There's a bunch of decent effects, mainly reverb and delays that would be good for music performances. Or for messing with people when they're listening to the feedback. Your choice.
