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OB:York Come Dancing 09-10: Difference between revisions

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OB:York Come Dancing 09-10 (view source)

Revision as of 21:06, 24 November 2009

559 bytes added ,  24 November 2009
→‎The Rig
(Subgroups are better than auxs since you can get a proper estimation on levels etc and you know if it's being mixed properly.)
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=== Equipment List ===
=== Equipment List ===


Technical Things first:
* '''Vision equipment'''
** DaVE
** DaVE P169
** Panasonic Max
** 12 monitors
** VT deck plus two 3-hour tapes


* DaVE
* '''Cameras'''
* DaVE P169
** 3x HD Cameras
* 3x HD Cameras
** 1x Canon DV camera
* 1x Canon DV camera
** 4x Tripods
* 4x Tripods
** Howard (remote control camera)
* Howard (remote control camera)
* ~ 10 monitors
* VT Playout PC (or Edit 2 for HD playout?)
* ystvencode (for stream and record)
* Comms
* Touchscreen Monitor
* P169 Control Laptop
* P169 Control Serial Cable
* VT laptop (to feed plasma)
* A box (to muffle VT laptop's Little Whizzy Fan)
* 3x 75M BNCs (Cameras B1, B2, B4 on plan below)
* 20-30M Umbilical for Howard
* 5~10M BNC for B/S cam.
* Cat5e senders and 5~10M Cat5e cable for B/S Preview Telly
* 5~10M XLR for BS Camera Comms
* 30M XLR Comms to Cam B1
* 5~10M XLR for BS Presenter Comms
* 8-core umbilical for sound desk <--> projection booth link
* Lots of short(er) XLRs for Comms in Control Room
* Plenty of Short BNCs for patching in Control Room
* Odd Audio/Video cables for those annoying bits. Gender benders especially.
* Two lighting bars, lights, dimmer packs, and so on. Basically the whole OB lighting kit.


* Preview Tellys for backstage set and rehearsal room. May be available from AV.
* '''Computers'''
** ystvencode (for stream and record)
** VT Playout PC (for VTs, duh)
** Edit 2 (to feed logo to Max)
** VT laptop (to feed plasma)
** A box (to muffle VT laptop's Little Whizzy Fan)


Set Type things:
* '''P169 control setup'''
** Touchscreen Monitor
** P169 Control Laptop
** P169 Control Serial Cable


* 3x Set boards (8' boards will fit comfortably)
* '''Cables, cables, cables'''
* <del>Things to sit on?</del> Nah, I want a standing-up set.
** 3x 75M BNCs (Cameras B1, B2, B4 on plan below)
* Black curtains, purpley stuff
** 20-30M Umbilical for Howard
* YUSU's plasma TV
** 5~10M BNC for B/S cam.
* Dancesport standalone banner
** Cat5e senders and 5~10M Cat5e cable for B/S Preview Telly
* YSTV banner to hang in the hall
** 10M XLR Comms to Cam B1
** 5~10M XLR for B/S Camera Comms
** 5~10M XLR for B/S Presenter Comms
** 8-core umbilical for sound desk <--> projection booth link
** Lots of short(er) XLRs for comms in Control Room
** Plenty of short BNCs for patching in Control Room
** Odd audio/video cables for those annoying bits. Gender benders especially.
 
* '''Other gizmos'''
** Ring comms
** Two lighting bars, lights, dimmer packs, and so on. Basically the whole OB lighting kit.
** Preview Tellys for backstage set and rehearsal room. May be available from AV.
 
* '''Studio set'''
** 3x Set boards (8' boards will fit comfortably)
** Black curtains, purpley stuff
** YUSU's plasma TV
** Dancesport standalone banner
** YSTV banner to hang in the hall


=== Rig Plan ===
=== Rig Plan ===
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* The main Control room will be located in the Projection Room on the Balcony, with Sound Op and Lighting Op both outside the booth using AV Equipment.
* The main Control room will be located in the Projection Room on the Balcony, with Sound Op and Lighting Op both outside the booth using AV Equipment.
* Cameras will be positioned above the left and right stairwell entrances, stage left above block 1, and one backstage for interview set.  
* Cameras will be positioned above the left and right stairwell entrances, stage left above block 1, and one backstage for interview set.  
* Howard, the remote control camera, will be flying from the centre of the gantry
* Howard, the remote control camera, will be flying from the centre of the gantry, on the lower scaffold.
* In addition, we will be providing two Follow Spot operators.
* In addition, we will be providing two Follow spot operators.


==== Vision ====
==== Vision ====


In terms of patching we will have all 5 Cameras Sources, plus VT PC going into DaVE P169, which will in turn feed DaVE. P169 Control Laptop in Conjunction will provide a Touchscreen interface to the P169.  
In terms of patching we will have all five Camera sources (B1, B2, B4, Howard, B/S), plus VT PC going into DaVE P169, which will in turn feed DaVE. P169 Control Laptop in conjunction will provide a Touchscreen interface to the P169. There will be preview monitors for all sources (six screens), as well as DaVE 1-4, DaVE out, and DaVE preview.
There will be preview monitors for all sources, as well as the Main Output.  


The main output will be DA'd and will have two feeds to ystvencode for capture and stream. An additional feed will go to VTA for SVHS capture. Finally there will be a copy of the Video sent backstage and to the rehearsal room as a preview.
The output from DaVE will be hit with Coriogen/Graphics PC, becoming our main output. This will be DA'd as follows:
* Two feeds to ystvencode for capture and stream, respectively
* An additional feed to VTA for SVHS capture
* Two more copies to the backstage and rehearsal room previews (the former via Cat5e senders, latter via installed BNC cable)
* A final feed will go into Max, which will mix between the live feed, a static logo (from Edit 2), and black. The output of Max will be used for the Central Hall projector.


==== Audio ====
==== Audio ====
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Audio equipment will be mostly provided by AV.
Audio equipment will be mostly provided by AV.


There will be a series of lapel mics for the judges (4), plus at one wireless mic for the "Brucie" Presenter (Luke).
There will be a series of lapel mics for the judges (four), plus at one wireless mic for the "Brucie" Presenter (Luke).


Additionally, the backstage "Tess" presenter (Fionna) will have a wireless Mic, plus a mic or two for interviewees. This will require AV's "Gig rig" backstage as the installed wireless mics don't reach the backstage area (the screen has a metal mesh behind it). If the gig rig isn't available or it all falls to pieces, we can fall back to wired mics for the backstage set.
Additionally, the backstage "Tess" presenter (Fionna) will have a wireless mic, plus a mic or two for interviewees. This will require AV's "Gig rig" backstage as the installed wireless mics don't reach the backstage area (the screen has a metal mesh behind it). If the gig rig isn't available or it all falls to pieces, we can fall back to wired mics for the backstage set.


Audio will also come from VT PC for VT playback, plus some music source (cd player?) for the dancers.
Audio will also come from VT PC for VT playback, plus some music source (CD player?) for the dancers.


All audio will be mixed using AV's Sound desk.  
All audio will be mixed using AV's Sound desk.  


The primary audio mix will be for the Central Hall PA, with a subgroup being mixed and routed to our streaming and capture setups.
The primary audio mix will be for the Central Hall PA, with a subgroup being mixed and routed to our streaming and capture setups in the Projection Booth.


=== Computing Considerations ===
=== Computing Considerations ===
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