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How To Create An Encode Profile: Difference between revisions

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* 2.76:1 is Ultra Panavision 70mm which is a little out of our price range but can be used for an incredibly stylised look, not recommended though.
* 2.76:1 is Ultra Panavision 70mm which is a little out of our price range but can be used for an incredibly stylised look, not recommended though.


The history is long and complicated (and from memory involves tanks) but if you want more information there is an article with some videos [[https://nofilmschool.com/Aspect-Ratio-Examples-For-Filmmakers|here.]]
The history is long and complicated (and from memory involves tanks) but if you want more information there is an article with some videos [https://nofilmschool.com/Aspect-Ratio-Examples-For-Filmmakers here.]


Assuming you don't need fancy settings, as of writing this in 2020, the majority of online video watched is on tiny mobile phone screens with a handful of people consuming online video outside of the likes of Netflix in 4k. For now, I would suggest even if you shoot at 4k for added sharpness that for our website and content - delivery in Full HD 16:9 is still acceptable and easier with our current ageing systems and thus what I'd recommend for most YSTV projects outside of select commercial and cinematic projects.
Assuming you don't need fancy settings, as of writing this in 2020, the majority of online video watched is on tiny mobile phone screens with a handful of people consuming online video outside of the likes of Netflix in 4k. For now, I would suggest even if you shoot at 4k for added sharpness that for our website and content - delivery in Full HD 16:9 is still acceptable and easier with our current ageing systems and thus what I'd recommend for most YSTV projects outside of select commercial and cinematic projects.
computing team, computing team group, confluence-users, domain admins, domain users, jira-users, livestream distribution, livestream technicians, stash-users, technical team group, vision mixer (obs)
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