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How To Create An Encode Profile: Difference between revisions
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* 2.76:1 is Ultra Panavision 70mm which is a little out of our price range but can be used for an incredibly stylised look, not recommended though. | * 2.76:1 is Ultra Panavision 70mm which is a little out of our price range but can be used for an incredibly stylised look, not recommended though. | ||
The history is long and complicated (and from memory involves tanks) but if you want more information there is an article with some videos | The history is long and complicated (and from memory involves tanks) but if you want more information there is an article with some videos [https://nofilmschool.com/Aspect-Ratio-Examples-For-Filmmakers here.] | ||
Assuming you don't need fancy settings, as of writing this in 2020, the majority of online video watched is on tiny mobile phone screens with a handful of people consuming online video outside of the likes of Netflix in 4k. For now, I would suggest even if you shoot at 4k for added sharpness that for our website and content - delivery in Full HD 16:9 is still acceptable and easier with our current ageing systems and thus what I'd recommend for most YSTV projects outside of select commercial and cinematic projects. | Assuming you don't need fancy settings, as of writing this in 2020, the majority of online video watched is on tiny mobile phone screens with a handful of people consuming online video outside of the likes of Netflix in 4k. For now, I would suggest even if you shoot at 4k for added sharpness that for our website and content - delivery in Full HD 16:9 is still acceptable and easier with our current ageing systems and thus what I'd recommend for most YSTV projects outside of select commercial and cinematic projects. | ||