Lighting Desk: Difference between revisions
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The current desk in use in the studio is the Strand 200 plus. If you are looking for information on the old desk, see [[Zero88 sirius 24]] | The current desk in use in the studio is the Strand 200 plus. If you are looking for information on the old desk, see [[Zero88 sirius 24]] | ||
== Specifications == | |||
1 DMX Universe output | |||
48 Channels | |||
24 Faders | |||
2 Independent Channels | |||
== Turning on == | |||
The desk switch is on the back of the board, on the right hand side near the power input. | |||
The monitor switch is on the bottom right hand side of the monitor | |||
== Normal Use == | |||
Firstly, make sure the Grand Master is at 100%. Then check the A/B masters are at 100% (B is reversed). Then make sure the "Two-scene" button is lit up. | |||
Now the faders each correspond to a dimmer channel. | |||
== Manual == | |||
For any further information, there should be a manual kept ether under or near the desk. Otherwise it is available here: [http://www.strandlighting.com/index.php?xsearch%5B0%5D=&xsearch%5B1%5D=200%20Plus%20Series%20Console&xsearch%5B2%5D=&submit=Search&xsearch_id=Downloads_Search&src=directory&view=downloads&submenu=]. | |||
[[Category:Technical]] | [[Category:Technical]] | ||
Revision as of 19:43, 22 January 2013
The current desk in use in the studio is the Strand 200 plus. If you are looking for information on the old desk, see Zero88 sirius 24
Specifications
1 DMX Universe output 48 Channels 24 Faders 2 Independent Channels
Turning on
The desk switch is on the back of the board, on the right hand side near the power input. The monitor switch is on the bottom right hand side of the monitor
Normal Use
Firstly, make sure the Grand Master is at 100%. Then check the A/B masters are at 100% (B is reversed). Then make sure the "Two-scene" button is lit up. Now the faders each correspond to a dimmer channel.
Manual
For any further information, there should be a manual kept ether under or near the desk. Otherwise it is available here: [1].
